... I stumbled across this essay on Brokeback Mountain.
I'm not sure how old it is. It was an interesting essay. The author posted some very thought provoking insights ...
http://www.ejumpcut.org/trialsite/brokebackmt/index.html
CSC, thanks for pointing us to this neat, perceptive essay (dated in JumpCut mag as "spring 2007," by the way).
Just read it -- many phrases jumped out at me. Here's one:
"there is a constant feel of lurking terror and dread."
Maybe this doesn't resonate with too many folks, but it sure does with me, being brought up in the equivalent of Wyomin and in 60s. Always wondered why I was failing to pick up on so many of the subtleties in BBM --Jack looks at the clown in the bar just a little too long, and at the husband at the dance just a little too long, for example.
Now I know: at some level I was scared of these moments, dreaded them, and rivetted by them -- and wanted to get past them fast before anyone saw, back to emotionally safe/flat/dull ground again. Because where I was brought up you just couldn't go to those places, unthinkable places.
Imagine such powerful blocking off of emotions. Real taboo stuff.
So I just watched BBM again after months. After so many viewings (25?) and reading so many posts and a few of these amazing essays, I'm really seeing all the subtleties now. Thought I was just slow.
But now I see I had a real obstacle to get over in this movie that veers so close to dangerous things, ... (at least how I used to think of them, as a kid in the navy, on the mine ... etc.) -- and then of course the movie even *gets* there!
I think Ang Lee really understands this level of dread and taboo.
And I think the US, at least in cities, is way beyond this kind of dread. Progress in 3-4 decades. This is really hopeful. Even tho some younger viewers might not get this facet of the movie always.
jason